|
Eduardo Haro Tecglen (1924–2005) was a Spanish journalist,〔(Epps, Bradley S. and Despina Kakoudaki (2009) ''All about Almodovar: A Passion for Cinema'', p. 384. University of Minnesota Press ) At Google Books. Retrieved 26 May 2013.〕 writer and theatre critic.〔(Evangelista, Stefano (2010) ''The Reception of Oscar Wilde in Europe'', p. 168. Continuum International Publishing Group ) At Google Books. Retrieved 26 May 2013.〕〔 (Emoción en el patio de butacas ) ''El País'' Retrieved 26 May 2013.〕 Born in Madrid, he studied at the Official School of Journalism where he graduated in 1943. After having been the Paris correspondent for ''Informaciones'' and ''El Correo Español-El Pueblo Vasco'',〔 Miret Magdalena, Enrique ("Eduardo Haro Tecglen, el último rojo" ) ''El País'' Retrieved 26 May 2013.〕 from 1968 to 1980 he was the deputy editor ''Triunfo''. In 1978, he became the theatre critic for ''El País'', publishing a daily column until his death. With his editorials in ''Triunfo'', together with other leading journalists who criticised the Franco regime in the journal, such as its founder, José Ángel Ezcurra, Enrique Miret Magdalena, José Monleón, and later Luis Carandell and Manuel Vázquez Montalbán,〔 he helped ''Triunfo'' become one of the leading intellectual journals and one of the leading symbols of resistance to Francoist Spain. Although some critics, including the author Javier Marías (who accused him, and José Luis López Aranguren and Camilo José Cela〔(Ferran, Ofelia (2007) ''Working Through Memory: Writing and Remembrance in Contemporary Spanish Narrative'', p. 302. Associated University Press ) At Google Books. Retrieved 26 May 2013.〕 of not accepting their responsibilities for their earlier "pro-Fascist actions or writings") of "collaborating" with the Franco regime, based on his having been associated with the Falange in his youth, the reality was that he had done so in order to commute his father's death sentence - to a 30-year prison sentence.〔( McManus, Stanton Carroll (2008) ''Democracy in Transicion: Politics, Melodrama, History'', p. 44. ProQuest (University of Mighigan) ) At Google Books. Retrieved 26 May 2013.〕 He signed the articles he wrote in ''Triunfo'' about international politics using his own name, while those he wrote about history, he signed using the pen-name "Juan Aldebarán", and the articles about science and the future, he signed "Pablo Berbén". He also wrote a weekly column about daily life, signed "Pozuelo".〔 ("Emoción en el patio de butacas" ) ''El País'' Retrieved 26 May 2013.〕 The homage to him, held at the Teatro Español, a few days after his death, was attended by, among others, the founder of ''Triunfo'', José Ángel Ezcurra; the journalist Fernando Delgado; the former and current editors of ''El País'', Juan Luis Cebrián and Joaquín Estefanía, respectively; the president de PRISA, Jesús de Polanco; the actors Diego Galán and Núria Espert, and the then mayor of Madrid, Alberto Ruiz-Gallardón.〔 The actor Francisco Rabal dedicated the copla "Hijo del siglo" to Haro Tecglen.〔 (Coplas de Francisco Rabal dedicadas a Haro Tecglen ) Biblioteca Virtual Miguel de Cervantes. Retrieved 26 May 2013.〕 ==Publications== *1988: ''El 68: Las revoluciones imaginarias'' (El País/Aguilar) *1996: ''El niño republicano'' (Alfaguara, Madrid) *2000: ''Arde Madrid'' (Temas de Hoy, Madrid) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Eduardo Haro Tecglen」の詳細全文を読む スポンサード リンク
|